Meiji Period Art Objects Bring Japan into 19th Century Globalization and Industrialization.
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Change Management through the Arts
When Imperial Japan opened its arms to the world in the mid 1800s, changes occurred to the country and its people in monumental proportions. In the span of a few decades, the feudal world of the Samurai war lords transitioned to a parliamentary environment of centralized government. The Japanese government then turned to the world fairs and other global stages to promote itself though refined arts and crafts to develop a global industrial power that we now know as modern Japan. Unprecedented exports of Japanese Art established the country and its people as creative, capable and sophisticated global economic participants.
Knowledge Transfer to Compete and Excel
No other art medium depicts this transition as well as the mixed metals and bronze work of well established artists and family workshops that had traditionally made war objects for the Samurai. WorldBridge is bringing these lessons and perspectives to the student of change management in today’s world of constant transition.
Tools and techniques poured into the Japanese economy through the participation in world industrial, arts and craft expositions during the Meiji period.
The enlightening progression in the use of advanced chemical compounds imported from Germany and used in Japanese Cloisonné Enamel fueled unparalleled achievements of the artists in this space. Art objects from Imperial Commissioned work shops of Japanese artisans rival the best enamels from Tiffany and Faberge. Moreover, the stages of development in enamel from the base metal bodies to the attachment of minuscule wires and the final kiln work, fittings and polishing demonstrate the early years of a manufacturing technique that propelled Japan to world dominance in several industries……yes, the first evidence of the famous cell manufacturing techniques that dominate the world automobile market are seen in the Meiji work shops of these artists!
WorldBridge believes that understanding the culture of a people that can organize themselves in these collective (work cell) efforts with focus on the ‘group’ over focus on the ‘individual’ is a powerful insight for today’s global business leader.
Delivering these lessons in the context of some of the most beautiful art objects in the world brings heightened levels of creativity to the business world and its leaders.
Marketing to a Global Audience
Objects from Imperial Commissioned work shops of Japanese artisans rival and Commissioned work shops of Japanese artisans rival and exceed the best enamels from Tiffany and Faberge. Moreover, the stages of development in enamel from the base metal bodies to the attachment of minuscule wires and the final kiln work, fittings and polishing demonstrate the early years of a manufacturing technique that propelled Japan to world dominance in several industries……yes, the first evidence of the famous cell manufacturing techniques that dominate the world automobile market are seen in the Meiji work shops of these artists!
WorldBridge believes that understanding the culture of a people that can organize themselves in these collective (work cell) efforts with focus on the group over focus on the individual is a powerful insight for today’s global business leader. Delivering these lessons in the context of some of the most beautiful art objects in the world brings heightened levels of creativity to the business world and its leaders.
The metaphorical story telling of the famous Satsuma Earthenware artisans of the Edo and Meiji periods reflects the beginnings of ingenious global marketing strategy by leveraging the Western fascination with Japanese Shinto, Buddhist and Confucianism Mythology.
Understanding how these cross cultural events influenced the creative thinkers of the time is a powerful study for the sociologist and industrial psychologist studying group theory and team dynamics.
Artistic Literature from Lebanon
The writings of Abu Chabki
Abu Chabki’s family suffered a turn of fate in the early 20th century when his father was murdered, putting an end to the family import business. He chose to stay in Lebanon and tend to the family’s needs as Gibran went on to New York and began to publish in English.
The Chabki family home is currently enshrined as a Historical Landmark and library of his works with a park and statuary tribute to him on the grounds of the family property just north of Beirut.
The Middle Eastern Christians have co-existed with Muslim Communities for hundreds of years. Perspective on this cultural mix through the eyes of a famous writer whose work has never been published in English is a pursuit that WorldBridge believes to hold value in cultural bridging during an era of considerable misunderstanding and disinformation.
WorldBridge is currently acquiring the rights to the Chabki works with the intent to interpret and translate them into English and bring the long lost work of Chabki’s artistic prose to the Western World. The timing could not be better given the strides towards independence that the Lebanese Christians are achieving.